Con 35.000 asistentes, el 18 de septiembre de 1971, The Who encabezó el cartel de “Goodbye Summer: A Rock Concert in aid of Famine Relief for the People of Banglades” en el campo de críquet The Oval de Kennington, al sur de Londres. Mezclado a partir de las cintas multipista analógicas originales de 8 pistas, este concierto muestra a The Who continuando su dominio como la mejor banda de rock en vivo de la época. La excepcional actuación culminó con Pete Townshend y Keith Moon destrozando su equipo en un gran final. Edición limitada.
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The Who – Live At The Oval 1971 – Edição Limitada [2LP]
€44.81
Con 35.000 asistentes, el 18 de septiembre de 1971, The Who encabezó el cartel de “Goodbye Summer: A Rock Concert in aid of Famine Relief for the People of Banglades” en el campo de críquet The Oval de Kennington, al sur de Londres. Mezclado a partir de las cintas multipista analógicas originales de 8 pistas, este concierto muestra a The Who continuando su dominio como la mejor banda de rock en vivo de la época. La excepcional actuación culminó con Pete Townshend y Keith Moon destrozando su equipo en un gran final. Edición limitada.
| Dimensões do produto : | 0,61 x 31,72 x 31,45 cm; 671,32 g |
|---|---|
| Fabricante : | Universal |
| Etiqueta : | Universal |
| ASIN : | B0F8PR92VL |
| Número de discos : | 2 |
| Classificação dos produtos mais vendidos: | 301 em Loja de Vinil |
| Avaliações de clientes: | (21) |
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Neil Bilbe –
I can only echo what has been said by some of my fellow reviewers. It was a ‘I was there and the first time I’d seem them live’ purchase primarily, after all there’s now a wealth of Who live recordings that have seemingly flooded the market over the last few years not to mention the long standing Isle of Wight, Monterey Pop, Woodstock, Young Vic, Hull …………….to name but five and of course the peerless Leeds.It all started a bit scratchy and unpolished in terms of sound and performance, but by the time the boys had hit Bargain, Behind Blue Eyes, Won’t Get Fooled Again all was forgiven and back on track. An excellent See Me Feel Me/Listening To You was followed by a truncated My Generation (compared to Leeds) but this flowed into Naked Eye which I always feel is a hugely underrated Who track, with the finale being Magic Bus again as on Leeds.There’s no way I can give a Who live album like this, especially one that I attended, anything other than 5 stars so we need to get Amazon to allow Live At Leeds the unique feature of having 6 stars!On a more serious note I hadn’t realised how off his face Pete was when you hear some of the banter, which probably accounted for some of the duff notes, not that it really mattered.Makes you sad that we no longer have Keith and John both were immense as usual.Now I must sit down and read the liner notes which were written by someone I met a few times in the past Andy Neill.
Jakob –
The Who live in Oval is great!
Shopper –
A live concert CD from 1971 with the Who in their prime. 5 of the 15 tracks are from the recently released Who’s Next album, their best album in my opinion. The sound quality is good from the 8 track tape recording. You can hear all the instruments and vocals clearly but it’s limited by the early 70s technology. The band is in fine form. It’s not as good as Live at Leeds but what is. That’s arguably the best hard rock live album. It’s a must have if you’re a Who fan. For a casual fan it’s worth the $13.98 US. These are live tracks that aren’t available on any other authorized commercial release. It was delivered in great shape with no issues with the packaging. Recommended.
Derick Holcombe –
I would have tempted to give this five stars just because it was the first live event I ever attended. However, after one listen I am pleased to say it deserves five out of five totally on its merits. To be perfectly honest, the specifics of the day are a bit hazy – I remember bits and pieces but I think I was a bit overwhelmed by the whole occasion, especially as it was the first time I had been to London and in such a huge crowd. So it’s nice to finally hear what I heard then and in excellent sound quality. As Live Who goes this is not quite Live At Leeds or even the Isle Of Wight but it’s up there. The concert was soon after the release of Who’s Next and the set includes five songs from that album. Otherwise The Who play a good cross section of old favourites and crowd pleasers over the course of an hour and a quarter. The band seem well up for it and all four give strong performances – John Entwistle is just sheer class, Moon a ball of chaotic energy, Roger Daltrey sings his heart out and Pete Townsend strums a bit of guitar and provides backing vocals now and then. It’s all wonderful stuff – I knew they played well that day it’s just a pity it took 54years or so to prove it – I wonder if The Faces set is knocking around because I remember enjoying them too?
Amazon Kunde –
Mein erster Gedanke beim Abspielen war: Mit dem Kassettenrekorder vom Radiolautsprecher aufgenommen. OK, das wird später etwas besser und es gibt im Booklet auch eine rührseelige Erklärung für den miesen Klang, aber ich hätte wirklich mehr erwartet.Die Stimmung beim Festival und die Performance der Band sind über jeden zweifel erhaben. Leider wurde der Ton seinerzeit trotz teurer Ausrüstung (s. Booklet) nur dürftig aufgezeichnet und konnte oder sollte heute nicht besser aufbereitet werden.
FramptonFan –
Obviously, the Who will never top Live at Leeds, but this is a fantastic album nonetheless. There’s plenty of live Who albums focusing on Tommy material, so it’s nice to hear a lot of Who’s Next songs this time around. Since this album was recorded professionally, the sound is nice and clear and the mix is well done.My favorites from this show are My Wife and the Naked Eye.
William hall –
Good cd good sound fast shipping no damage good live at leads is better inMy opinion
Jimi Jac –
Pete Townshend always considered the “Who’s next” tour disappointing, because they couldn’t use the Moog synthesizer on stage, instead they had to use backing tapes, but at this concert the band are having a whale of a time with plenty of extended versions of their songs.Theirs also a rare live outing for a cover of Marvin Gaye’s “Baby don’t you do it”, originally recorded by the band at the New York record plant sessions & featured on the 2003 “Who’s next” deluxe edition. The Who perform their interpretation of the song with their usual gusto.But my highlight is “Naked Eye”, it was a crime to leave it off “Who’s Next”.Good sound quality (in the liner notes, one of the roadies complained that the speaker mikes were moved just before the start of the show, but hasn’t effected the sound) & as the only live album from the “Who’s Next” tour (I did think the show from the “The Old Vic”, again featured on the “Who’s next” deluxe edition counts) pretty essential listening.
Weesaint –
This is an excellent gig. The set list is good and slightly different from the standard set. I bought this on vinyl and although I do have to turn up the volume in comparison to other vinyls I have, nonetheless, sonically it sounds great considering it’s from 8 track tapes. A bit p**d off that it’s £6 cheaper a day after release to what I paid for it.
Triple Bee –
I have a lot of old Who bootlegs, but not this one, so I was skeptical. Man. What you’ve got here is the Who in their very prime. As other reviewers point out, it’s not Live at Leeds, but Live at the Oval represents a major shift for the band, introducing synthesizers and soon-to-be classic Who’s Next songs. If you have the Olympia rehearsals and Young Vic tracks from the Who’s Next Box, you can tell pretty quickly they found their footing here, playing expertly alongside the synths, relaxed (for The Who) and not rushing things. Everyone’s in prime form: The Ox’s brilliant and throttling bass lines, Roger’s strong rock voice, Pete holding things down with the rhythm, and “the conductor of this particular orchestra” Keith Moon clearly assuming the role of “Lead Drummer.” Was it Rick Wakeman who said, “they were the only band where you went to the show to see the drummer”? With the band in the middle of their final North America tour right now, this little gift from above can remind everyone why they were (are still?) The World’s Greatest Live Rock Band. Note on the sound: Glyn Johns was in charge, so you know it’s good analogue magic. Only quibble: It’s a shorter show than usual (15 tracks) and you wish they’d been able to fit Baba O’Riley, Heaven & Hell, and Water in the set, but this was a festival (I think?) and what a treasure trove of kick-butt playing.